艾华（Harriet Evans），英国伦敦大学东方与非洲研究院（SOAS）博士，英国威斯特敏斯特（Westminster）大学中国研究中心教授。

艾华（Harriet Evans），英国伦敦大学东方与非洲研究院（SOAS）博士，英国威斯特敏斯特（Westminster）大学中国研究中心教授。

艾华（Harriet Evans），英国伦敦大学东方与非洲研究院（SOAS）博士，英国威斯特敏斯特（Westminster）大学中国研究中心教授。

From Library Journal This book analyzes major Chinese governmental publications that deal with sexuality in 1950, when the new Marriage Law was enacted, and 1980, with the Second Marriage Law. Evans (Chinese, Univ. of Westminster) is well grounded in both feminist and Chinese studies, which allows her to deepen her analysis with references to China's present-day pop culture and...(展开全部)

Gender and sexuality have been neglected topics in the history of Chinese civilization, despite the fact that there is a massive amount of historical evidence on the subject. China's late imperial government was arguably more concerned about gender and sexuality among its subjects than any other pre-modern state. How did these and other late imperial legacies shape twentieth-ce...(展开全部)

"When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called the "new musicology." Through case studies of works ranging from the canonical - operas by Monteverdi and Bizet - to the contemporary - the performance art of Diamanda Galas an...(展开全部)

What was sex like in China, from imperial times through the post-Mao era? The answer depends, of course, on who was having sex, where they were located in time and place, and what kind of familial, social, and political structures they participated in. This collection offers a variety of perspectives by addressing diverse topics such as polygamy, pornography, free love, eugenic...(展开全部)

Since the 2010s, Chinese television has seen an explosion in popularity in dramas featuring same-sex intimacies, LGBTQIA-identified celebrities, and explicitly homoerotic storylines, even as state regulations on “vulgar” and “immoral” content grow more prominent. This emerging “queer TV China” culture has generated sizable transcultural queer fan communities both online and off...(展开全部)

Through window displays, newspapers, soap operas, gay bars, and other public culture venues, Chinese citizens are negotiating what it means to be cosmopolitan citizens of the world, with appropriate needs, aspirations, and longings. Lisa Rofel argues that the creation of such “desiring subjects” is at the core of China’s contingent, piece-by-piece reconfiguration of its relatio...(展开全部)

Through window displays, newspapers, soap operas, gay bars, and other public culture venues, Chinese citizens are negotiating what it means to be cosmopolitan citizens of the world, with appropriate needs, aspirations, and longings. Lisa Rofel argues that the creation of such “desiring subjects” is at the core of China’s contingent, piece-by-piece reconfiguration of its relatio...(展开全部)